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Lugares
- Glitch-Bound - Room
Tort-Chaos
Quartet - Four
- Mur - Crush
Crease - Fútil
Repertory:
Glitch-Bound
A double bill
Glitch “a
short-lived flaw or imperfection causing error. (perhaps from the Yiddish
to slip or the German to glide.)”
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This is an investigation into
mechanisms that trigger an emotional in the audience. Experimenting
with the creation of sequences and patterns that generate expectation
then disrupting or interrupting them by introducing brusque changes
of tempo, removing participants, or inverting roles.
The aim is to create a choreographic
conversation or dialogue in which the participants never achieve
the expected connection. But this is not of a case of not wanting
to listen and they continue to struggle to communicate none the
less.
In the end the glitch is always
present and colours all aspects of human interaction, and although
breaking our attempts to interact, our persistence is as much
a part of human nature as the glitch itself.
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The music for Glitch comes
from the Slovenian Borut Krisnik in his first collaboration with Noone
and he proposes music of a highly juxtaposed nature and texture centring
on the theme of error without ever losing context.
Choreography: Thomas Noone
Assistant to the the Choreographer: Núria Martínez
Light Design:Glitch Enric Alarcon/Thomas Noone / Bound: Jaume Ortiz
Music Glitch: Borut Krisnick/ Bound: Felipe Perez Santiago
Set Construction Bound:Taller Lucas Luna
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BOUND
“To walk or run with leaping strides,” “restricted
or confined to a specified place,” “obliged by law,
circumstances, or duty to do something” “Tied together.”
Based on the apparent paradox
presented by the term “Bound” the piece is an investigation
into the relation between freedom and constraint, of how control
and technical dominion can lead to interpretive freedom, and restriction
and delimitation allow choice.
Bound was created as a collaboration between Thmas Noone and Felipe
Perez Santiago and investigates structured imporvisation in both
the dance and the music.
Music for Bound created and
recorded during residence at PHONOS, (electro-acoustic department,
Universidad Pompeu Fabra, Barcelona.) |
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