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Crush Crease -
Fútil - Mur
Repertory: Crush Crease
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The expression
that there is nothing to express, nothing with which to express,
nothing from which to express, no power to express, no desire
to express, together with the obligation to express.
Dialogues between Beckett
and George Duthuit.
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Crush: Crush is based in absolute austerity. Balancing
expression and restraint, describing relationships yet never acting
these out, its aim is to make the audience aware of the narrative but
avoid any type of mimetic form. The narrative is derived from a novel
Stella Descending by the Norwegian writer, Linn Ullman.
Crease: The intention in Crease is to invoke an emotion
without being representative or illustrative. It is a calculated build
in intensity, bodies on a geometrical task. Bodies occupy the space,
avoiding contact, They fall into the void thrown through the space,
impacting, rebounding, collapsing.
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Music
Diego Dall’Osto; (Crush), has
worked extensively creating music for dance. With the Choreographer
Jacopo Godani he has created pieces for Spanish National Ballet,
Gothernburg Opera House, the Royal Ballet and
the Ballet de Monte Carlo and with the choreographer
Nicole Fonte for Det Kongelige Teatre de Copenhagen, Het Stadettlei
Bern Ballet and Het Konilijk Ballet van Vlaadern. He has
also worked with Carlos Ituurioz creating Incert Insert. He has
won numerous prizes in Italy and was granted a scholarship by
the IUA-PHONOS UPF (Instituto Audiovisual de la Universitat
Pompeu Fabra de Barcelona).
Gianfranco Pappalardo; (Crease), began
working as a D.J. in his native Trieste before he crossed over
into the creation of electronic textures. He created his first
work for dance with Thomas Noone Dance for the piece
Credo, and then followed on with creation for Loner receiving
the recognition of the dance press. He is at present in Trieste
working with the Accademia della Follia.
The Set
David Jiménez
studied Architecture in the Escola Tècnica Superior
d’Arquitectura de Barcelona (UPC). His professional
career started in 1999 when he collaborated in the competition
Europandom (Pich Aguilera Arquitectes) investigating Urban
development via housing in European Ultramar regions. Between
2000 and 2004 he has collaborated in the development and presentation
of projects for the company Nadal & Puigdengoles Arquitectes
and in 2003 was finalist in the competition for Young Architects
in the same firm.
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| Choreography: |
Thomas Noone |
| Dancers: |
Anna Cáceres, Horne Horneman, Núria Martínez,
Marijn Roelofsen, Ana Sánchez |
| Music Crush: |
Diego Dall’Osto |
| Music Crease: |
Gianfranco Pappalardo |
| Light Design: |
Jaume Ortiz |
| Set Design: |
David Jiménez |
| Construction in Aluminium: |
Jaume Serrat |
| Set Construction: |
Taller de Escenografía Jordi Castells |
Thomas Noone Dance is the Resident
Company in the Sant Andreu Teatre (saT) within the Residencies Plan
for Creators of the Department for Culture of the Generalitat de Cayalunya
(Catolonian Government.)
Thomas Noone Dance receives funding from; The Institue
for Culture, Ajuntament de Barcelona, The department for Culture of
the Generalitat de Catalunya, Ministry of Education, Culture and Sport,
(I.N.A.E.M)
With the collaboration of A.R.E.A
“Associació per la Recerca Educativa en les Arts escèniques.“
With special thanks to Carlos Pardina and
Carles Decors.
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